Fiona Leahy Design

Posts Tagged ‘Ivan Day’

A Weekend of Period Sugarwork and Confectionery – Oh My!

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Pastillage table Markers for Dita Von Teese made by the talented cake designer Margaret Braun

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Pastillage table Markers for Dasha Zhukova’s Kova & T dinner in London

The food historian Ivan Day is one of the most inspiring and informative people I have ever met. I am entranced with his recreations of historic tables and find his teachings on period food an endless fascination.

Last weekend I went on my second Historic food course. We were shown how to make syllabubs, trifles, a Tudor Marchpane, comfits and pippin knots in Ivan’s kitchen which is a culinary alladins cave complete with an incredible array of antique Utensils.

Lots of fun to be had including making Ice cream in the garden with a Georgian ice cream maker. Truly the most delicious ice cream I’ve ever tasted.

Period sugar work and confectionery is something that I adore. The only time I truly wish to travel back in time is when I see the incredible sugar confections that decorated the tables of Royalty in the Rococo age. The tables were works of art, the sugar sculptures were made with the definition and detail that only a gifted artist could create. I have borrowed some of these opulent edible ideas and used them on table dressing for my own events. Nothing as spectacular as Ivan’s recreations but I live in hope…someday I will get a spectacular commission and Ivan, in- between creating dazzling museum displays and educating us on the history of food will finally give in and create a table that truly fulfills all my nostalgic notions.

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A selection of confectionery we made at the weekend

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The sort of kitchen equipment I’d trade my Moulinex for

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A Pippin knot made from nothing but apple and sugar

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Printing the Pippin paste

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And here it is!

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The moulds are so beautiful

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Making a sugar pheasant

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Antique sugar craft tools made from Ivory

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More gorgeous implements

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A selection that includes comfits, a version of hundreds and thousands that literally takes hundreds and thousands of hours to make!

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Sugar sculpture is a precise art. The Spirit level is an essential tool.

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The making of a Tazza

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Tazza in construction

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And finally the finished Tazza. This is hours and hours of work

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Lunch being cooked in front of an open fire. Magical

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You can eat this… or you can keep it for about twenty years. Not exactly throwaway

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A monogrammed waffle maker… when a plain waffle just won’t do

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A Georgian Ice cream making device . Lot’s of stirring, lot’s of Ice and the MOST delicious ice cream ever!

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Ginger Ice cream made with an Ice cream mould . Delicious and stunning to look at the way I like my food


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One of Ivan’s curious books. This is secrets for young ladies. We all need to know how to order a silk -worm …

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…and remove freckles!

http://www.historicfood.com/

http://margaretbraun.com/

The Joy of Jelly

The most beautifully adorned table

The most beautifully adorned table

I recently spent the most delightful weekend on a Victorian jelly-making course hosted by the incredible food historian Ivan Day at his farmhouse in the Lake District. Ivan has been a tremendous inspiration for me, I love his passion for bringing back to life the forgotten food of the past in the most enthusiastic way imaginable. I have been obsessed by Victorian jellies ever since I saw images on Ivan’s website a few years ago. I couldn’t believe how visually exciting these decadent edible masterpieces were: worlds away from the lurid Chivers jelly rabbits that populated early birthday parties growing up in Ireland.

I use jellies at every opportunity for my events. They make the most beautiful centerpieces and an interesting alternative to flowers: stunning to look at, slightly quivering and delicious. I love that the Victorians had edible table decorations, beautiful and indulgent but still incredibly practical. Guests could eat as well as admire the centre pieces on the table.

The copper moulds that are used to make the jelly are in their own right the most beautiful objects. Ivan has a staggering collection and on the jelly-making weekend we used original moulds from the 1750s including the rare Belgrave, Brunswick Star and Alexandra Cross moulds. It was an unforgettable learning process and amazing to experience first hand the equipment and methods of a bygone time.

Our jellies setting in the lake district snow

Our jellies setting in the lake district snow

I adore this jelly and would love to have a mould made with my own monogram.

I adore this jelly and would love to have a mould made with my own monogram.

Mixing gold leaf into the Gelatine

Mixing gold leaf into the Gelatine

The gold and silver leaf “turrets’

The gold and silver leaf “turrets’

The gold and silver leaf looks incredible in the clear gelatine. Like an edible snow globe.

The gold and silver leaf looks incredible in the clear gelatine. Like an edible snow globe.

There is something so Madonna / Gaultieresque conical bra about this pair of jellies. They were the wobbliest I have ever seen.

There is something so Madonna / Gaultieresque conical bra about this pair of jellies. They were the wobbliest I have ever seen.

This one reminds me of a jelly medal

This one reminds me of a jelly medal

The Jelly medal mould

The Jelly medal mould

One of my favourites.A wedgwood jelly obelisk. The beautiful china is encased in a layer of translucent jelly.

One of my favourites.A wedgwood jelly obelisk. The beautiful china is encased in a layer of translucent jelly.

A brunswick star jelly

A brunswick star jelly